dvd review: warner brothers gangsters collection vol.3

Hey, you mugs! You lookin' to blow your wig? You wanta place your peepers on a flick with some sweet tomatoes with long stems and a couple of torpedoes thrown in just ta make the joint swing? Hold da Amache- but the kibosh on the cabbage for now. Let me fill ya in first. I'm no chiseler, I've got da low down on what yer itchin' for. I've got the straight up and whether the pack is aces or not. So bend an ear brother, I'll tell ya if ya should make with the suds.

Ahem... excuse me. In all my excitement, I forgot myself. Perhaps I should just provide a translation. Let's see now...
Hello there! Would you like some fine entertainment? How about some exciting films with attractive long-legged ladies and some tough gentlemen who will provide exciting derring-do? Well, hold the phone and put away your money until you read my review. I will give you proper information about this DVD set, so that you can make an informed choice. I will let you know whether or not this new DVD set from Warner Brothers, The Warner Brothers Gangster Collection, Vol. 3, is worth adding to your home entertainment library. So check out my review and find out. I'll be straight with ya- natch! Aww, nuts.

The Hard Facts
Warner Brothers Gangster Collection Vol. 3
6 Discs in keepcases
Studio: Warner Brothers
Black and White
Full Screen
Original Studio: Warner Brothers
Release Date: 3/25/2008
Rated: NR
Stars: James Cagney, Edward G. Robinson, Humphrey Bogart
Directors: Various

Background:
This is the third installment in WB's Warner Brother's Gangster Collection series (you probably figured that when you noticed the phrase: "Vol. 3"). "But wait," you say, "I don't remember a Volume 2. How can that be." Well far be it from me to comment on your poor memory, or any other type of impairment that might have hindered you faculties, but it's no wonder you don't remember. It's because The Warner Brother's Tough Guys Collection from last year has been reissued and redubbed WB Gangster Collection, Vol. 2. Still with me? Good. Anyway, this installment of Gangster flicks include more raucous fun and humor- with the same "dese" and dose" attitude you've come to know and love.
In the 1930s, Warner Brothers was known for it's gritty dramas and gangster flicks that pushed the envelope. And audiences couldn't get enough of them. At the top of the batting order for Warners was Edward G. Robinson and James Cagney. Both had their breakout roles in recent years with 1931's Public Enemy (Cagney) and 1930's Little Caesar (Robinson). And while it was easy to come up with a plot for a regular gangster movie, Cagney's and Robinson's talents rose above the average picture. Audiences wanted to see these stars, and so they did all sorts of pictures at Warner's, but mostly with some facet of the “transgressive-type” personality that audiences had come to love. Even the gangster pictures had some sub-genres- comedies, etc. where even though the main character is a rogue, he's a lovable rogue. These characters didn't always rise to the level of anti-hero from film noir a decade or so later, but usually if our anti-hero was on the bad side, there was always someone who was really bad that our sorta bad rogue could take down.
Those types of gangster comedies take center stage in Volume 3, and we get a good look at some of Warner's other pre-code pictures, where things weren't always so nice and tidy, the vernacular was slightly shady, some of the girls weren't so nice, and not everybody got what was coming to them. To an audience living during the Great Depression, it must have been somewhat refreshing to not only see the little guy get even sometime, but also to not have to always stomach fairy tale endings. They knew all too well that although the movies were black and white, real life tended to be in shades of gray.

The Films:
Volume 3 includes six films, mostly from the early 1930s: Lady Killer, Picture Snatcher, The Mayor of Hell, Smart Money, Black Legion and Brother Orchid. Bonus Features will be listed after each film.

Lady Killer:
This 1933 film reteams James Cagney and Mae Clark, only two years after the blockbuster Public Enemy. Cagney is not a psychopathic killer here, but he retains the wiseguy attitude and endless energy. Cagney plays Dan Quigley, who gets fired from his job as a movie usher and soon falls in with a gang of small time crooks in New York. Quigley’s resourcefulness however turns the penny ante group into a gambling operation complete with a nightclub/hidden casino. Eventually the gang moves on to burglary, but one of them becomes more and more violent, eventually turning to murder. The gang splits up, and Quigley and gang girl Myra (Clarke) head to California where Dan is soon picked up and wrongly arrested for the murder back in New York. Instead of bailing him our, Myra skips with the money and the former leader of the gang, Duke. Dan eventually gets released and through a Hollywood-fable style discovery, gets a job in the movies. Dan becomes more and more popular in the films, becoming a major star. And now that Dan has turned his life around – the old gang comes back to “share” in his good fortune.

Lady Killer is a great flick, and is quite funny when it needs to be, and action packed when it needs to be. Cagney builds on his Public Enemy performance and adds more charm and verve to his role. His humor, his attitude, his constant energy makes the film so much more than the sum of it’s script and plot. Mae Clark is also great, and being an unabashed Mae Clark fan, I really wish she was in the film more. This one contains the second famous Cagney-Clark scene (after the grapefruit scene) in which Cagney grabs her by the hair and forcibly removes her from his apartment. Clark is no withering lily either. Her Maya is at times charmed by Dan, but she is also tough and subversive too. Buy Maya is nobody’s fool, she doesn’t really love Dan, but she can’t quite completely betray him either. The rest of the cast is good, especially Warners stalwart Leslie Fenton who turned a great performance as Duke. Great stuff- a great Warner’s gangster flick with lots of humor and action which goes at such a fast clip that there isn’t a single lull in the picture.
Bonus Features include: a great commentary track by Dr. Drew Casper, and Warner Night At the Movies 1933: Movie retrospective short: The Camera Speaks; Vintage newsreel; Musical short: Kissing Time; Classic cartoon: The Shanty Where Santy Claus Lives; Trailers of Lady Killer and 1933's Footlight Parade.

Picture Snatcher
Cagney returns in another 1933 film as gang boss Danny Kean who decides to give it all up when he gets out of jail. A newspaper editor once offered him job once he got out, so Danny is set on being a newspaper reporter. But once he goes to get the job, the city editor (Ralph Bellamy in a good role) who is drunk and dispirited tells him the paper is nothing more than a tabloid looking for the next scandalous picture. When Danny overhears that the publisher is looking for a picture no one else can get, he goes out – gets the picture and then gets the job as a photographer. Danny improves in his job, weathers the amorous advances of the boss’s girl, and falls in love with the daughter of the cop who initially arrested him. One of the central events of the film is the execution of a notorious female prisoner. The paper wants a picture of the execution, but the police won’t allow a representative from their paper to witness the execution because of their reputation. Danny manipulates an invite into the execution and sneaks a picture of the gruesome event.

This part of the film is actually based on a real event. A New York Daily News journalist, Tom Howard snuck in a camera into the execution of Ruth Snyder, who had murdered her husband with the help of her lover. The paper printed the picture across the front page the next day. Ruth’s story not only partly inspired this film, but also the novel and film, Double Indemnity and partly inspired the films The Postman Always Rings Twice and Body Heat. Picture Snatcher was a snappy film; fast paced and filled with action, gumption and humor.
Bonus Features include: Commentary by film historians Jeffrey Vance and Tony Maietta; and Warner Night at the Movies 1933: Vintage newsreel; Musical short: Plane Crazy; Classic cartoon: Wake up the Gypsy in Me; Trailers of Picture Snatcher and 1933's I Loved a Woman; and another trailer for Escape From Crime.

The Mayor of Hell
The third film starring Cagney makes him out to be a reformed gangster version of Father Flannigan. Several boys (similar to the Dead End Kids) get in trouble once to often and find themselves sent to a reform school run by a very sadistic and opportunistic warden. The boys discover the place is more like a prison than any kind of reform school. When a new deputy Commissioner Patsy Gargan (Cagney) arrives for an annual inspection, the warden correctly suspects that he someone who was appointed as a political favor, he isn’t too afraid of Gargan. But Gargan is no typical appointee, he is a reformed gangster who used to be like the very boys he sees incarcerated. When one of the boy is hurt attempting to escape, Gargan decides to do more than just inspect. The school nurse, who worries and cares for the boys, tells Gargan how the school should be run, giving him inspiration to run the school himself. Gargan sends the warden on an extended vacation and implements the reforms, which become successful. When the warden discovers the changes upon his return, he is determine to regain control and get rid of Gargan.
This film is sort of like a cross between Angels with Dirty Faces and Boys Town. It’s a bit much to swallow sometimes, but it is still very entertaining. The leader of the boys also bears an uncanny resemblance to Cagney, perhaps due to casting more than coincidence.
Bonus Features include: Commentary by film historian Greg Mank and Warner Night at the Movies 1933: Vintage newsreel; Musical short: The Audition; Classic cartoon: The Organ Grinder; Trailers of The Mayor of Hell and 1933's The Kennel Murder Case. Also included are bonus trailers of Crime School and Hell's Kitchen.

Smart Money
This time Edward G. Robinson is the lead in this 1931 gangster flick with flair; Cagney also appears in a supporting role as Robinson’s friend and right hand man. Robinson is Nick, a small town Greek barber, who has a special flair for picking horses, numbers and cards. He is always talking about getting into the big action in the big city, so his buddies stake him to 10,000 bucks and Nick heads for the big time. When he finds himself the victim of a scam, Nick exacts his revenge and eventually becomes one of the biggest racketeers on the East coast. The District Attorney soon sets his sights on Nick, but Nick seems too smart. It isn’t long before the DA thinks he has discovered Nick’s weakness and attempts to turn the screws.
Smart Money is a very entertaining film, but it seems to develop too long in the beginning and rushes toward the end. The Cagney character is toned down from his usual energetic self, and Robinson, as always commands the screen. Other character are underdeveloped, but it doesn’t take away too much from the film.
Bonus Features include: Commentary by film historians Alain Silver and James Ursini and Warner Night at the Movies 1931: Vintage newsreel; Musical short George Jessel and His Russian Art Choir and The Smart Set-Up; Classic cartoon Big Man From the North. Also includes a trailer of 1931's Other Men's Women.

Brother Orchid
Edward G. Robinson also stars in this 1940 film, leading an all-star cast that includes the lovely and very likable Ann Southern, Humphrey Bogart, Ralph Bellamy and Donald Crisp. Robinson plays gang boss Little John Sarto who desires to achieve “real class”. He leaves his gang and appoints his second as boss and then embarks on a long European vacation, sans his long-suffering girlfriend played by Southern. Thinking he can buy class, all Sarto ends up doing is loosing all of his money and coming home 5 years later, broke. When Sarto gets back, he expects to be greeted by his old gang with open arms, but his old second in command, Jack Buck (Bogart), has a firm grip on things and tosses him out on his ear. Seeking out his revenge, Sarto begins a rival gang and reacquiring his former territory. This doesn’t sit well with Buck, who then engineers a hit on Sarto. Although Sarto manages to survive, everyone believes he is dead. In reality, he was found by members of a monastery and nursed back to health. Sarto assumes the name of Brother Orchid and hides out among the monks and works with them growing their flowers for sale in the city.

Brother Orchid is very entertaining, and different for a gangster film. It’s really more of a comedy than anything else, with some real sentiment. Robinson’s Sarto character doesn’t really have an overnight conversion to the order, as someone might suspect. That’s something that cheesier, later Hollywood flicks would do. Sarto is more true to his character, but he still grows to respect the monks and their way of life. His eventual self-examination and realization that something needs to change comes gradually and is more believable. The cast is great as well, although Bogart’s second banana bad guy stuff is soon coming to an end by this time- and it’s beginning to wear thin. Thank goodness the studios came around during this time and realized he was destined for better things.
Bonus Features include: Commentary by Robinson Biographer Alan L. Gansberg and Bogart Biographer Eric Lax and, of course, Warner Night At the Movies 1940: Vintage newsreel; Musical short: Henry Busse and His Orchestra; Classic cartoons: Busy Bakers and Slap Happy Pappy; and Trailers of Brother Orchid and 1940's It All Came True.

Black Legion
Humphrey Bogart stars in this dark look at nativism during the 30s. Warner’s made this socially conscious drama in 1937 and based it on a real offshoot of the KKK: The Black Legion and a murder that brought the Legion to trial. Bogart is Frank Taylor, a family man and factory worker, who is passed over for promotion for a job he believes was rightfully his. The Frank Taylor we are introduced to is happy, hard working and easy going, but not getting the job sours his outlook on life. Things start to twist is views when a co-worker claims that the guy who got the promotion was only promoted because he is a “foreigner”. He introduces Frank to a secret society known as The Black Legion, who dress up in robes and hoods with skull symbols. The Legion uses terror tactics to drive off anyone who has foreign names, backgrounds or accents. Intially Frank is pleased when the Legion helps him drive his new supervisor out of town and he gets the promotion. But eventually Frank becomes more and more entangled with the Legion. His wife and neighbors notices changes in his demeanor and attitude, and when Frank loses his job, his life spirals out of control.

This seemed like an odd choice to include in this set, and I put off watching it until the last. However, I was taken by the grittiness and earthiness of the film and the message it gave. Warners specialized in these “urban social” pictures in the 1930s, and perhaps audiences saw more real life reflected in them than in other films. The film also takes an interesting approach and shows a scene where the real leaders of the Black Legion are wealthy racketeer-types who are making most of their money off of membership dues and uniform and pistol purchases. To them it’s all about the money. Perhaps that is the connection to the “gangsters” theme for inclusion in the box set.
Bonus Features include: a very good commentary by film historians Patricia King Hanson and Anthony Slide and Warner Night at the Movies 1937: Vintage newsreel; Musical short Hi De Ho with Cab Calloway; Technicolor historical short Under Southern Stars; Classic cartoon Porky and Gabby; and Trailers of Black Legion and 1937's The Perfect Specimen.

Bonus Features:
See individual films above for a listing of the bonus features. Just a small note: I really enjoy the Warner Night at the Movies and am encouraged to see them continue to bring interesting and great bonus shorts to include with the films. It really gives you a taste of the movie going experience and a snapshot of popular culture of that time. The only quibble I might have, albeit a small one, is that some of the newsreels are incomplete or lacking sound. I understand that they are dealing with existing footage issues and trying to make them relevant to the subject of the box set, but I believe I would prefer whole newsreels, rather than just relevant clips. It is less off-putting that way. Also- kudos for the excellent commentaries. Some of them were quite good, especially from the always excellent, entertaining and informative Drew Casper.

Audio/Video:
As we’ve come to expect from Warner Brothers, they take excellent care with their library of titles in bringing them to DVD. The audio is quite excellent and free of any pops or hissing on the films- except when it comes to the bonus features, particularly the newsreels which we’ve previously discussed. The prints are great and rich in black and white, shades and shadow. Lady Killer and most of the rest look crisp and fresh.

The Bottom Line:
Warner’s has had a lot to live up to with the previous two volumes in their gangster collection. They have hit it out of the park again. I really enjoyed all of the films and was surprised by a few, especially Black Legion which including a fantastic performance from Humphrey Bogart. My favorites of the set were Lady Killer and Brother Orchid – top rate flicks that everyone should see- and that center the entire set. Anyone who owns the previous two should have this on their shelf already. If you don’t, you have a great opportunity to make a serious contribution to your DVD library. In addition to picking up Vol. 3, WB has reissued the first two volumes at a great price! If you are into gangster films, do yourself a favor and pick them up. This set is highly recommended for them, classic film buffs and film history nuts alike.

Review Rating:
If we were to assign a grade to all of the films and features individually, they would earn the following:
Lady Killer: A+
Brother Orchid: A+
Picture Snatcher: A
Mayor of Hell: B
Smart Money: B
Black Legion: A
Bonus Features: A+

Overall Rating:
Warner Brother’s Gangster Collection Vol. 3 is a MUST HAVE!
We give it 5 stars (Groucho glasses)






Stay tuned- we've got more reviews, news and other great stuff lined up. Don't miss it!




Flo, sometimes you got me guessin' whether you're even a nitwit.

new dvd giveaway!

Congrats to all of our winners of the Love Boat/Fugative giveaway! Copies are headed your way! But now...

Our new contest begins today. Out of all of the emails, we will randomly pick 5 winners who will each receive a copy of Walker, Texas Ranger Season 4. This is courtesy of the folks at Paramount/CBS DVD. SO GET THOSE EMAILS IN! All you have to do send an email to randomshelf@hotmail.com (note the rules below) with a subject line of Walker Texas Ranger Giveaway in the subject line by APRIL 9th at 11:59 pm est.

The rules are simple:

Email us your entry at randomshelf@hotmail.com
1.You MUST include: Your name and full address in the body of the email, and "Walker Texas Ranger Giveaway" must be in the subject line.
2. The contest is only open to US residents
3. Only one entry per email address (and household, please!)
4. Contest ends on Wednesday, April 9th at 11:59pm. We will draw the winner and notify them by email sometime on April 10th.

Please note that your information will be held confidential and will not be published and only used solely for identifying the winner and shipping the prize. Also, we will mail the prize to you, but cannot guarantee that the post office will treat it with the same respect as we will when we send it out. We will only guarantee that we will mail it to the address you provide to us.
So get those emails in and good luck!

Let the contest begin!



I thought we were gonna get television. The truth is... television is gonna get us.

man of a thousand faces and furies coming to dvd

Universal is releasing a Cagney film on DVD that I haven't seen in years: Man of a Thousand Faces. The film is the life story of the great Lon Chaney - known as the "man of a thousand faces" because of his great ability to bury himself in a role and completely change himself onscreen. While the movie includes some fictionalized parts, a lot of Chaney's life is there up on the screen. And Cagney really tackles this role with reverence and maturity (it was a later role for Cagney- made in 1957). It's one of those films that you just love and want to learn more about the man portrayed. Cagney's co-stars were Jack Albertson, Jim Bakkus, Dorothy Malone and his sister Jeanne Cagney (her next to last film)
Famous NY Times critic from the past, Bostley Crowther had some critical things to say about the screenplay and film, but praised Cagney's performance.
From his 1957 review:
"With not too much help from the screenplay, Mr. Cagney none the less gives a stirring sense of the actor's devotion to his first wife, to his infant son, to his aging parents and to his profession, which he stubbornly pursues through a hard career in vaudeville to eventual stardom in Holly wood. Being Mr. Cagney, it is difficult for him to remove all the familiar Cagney cockiness and pugnacity from the role. Even so, there is an abundance of tenderness, sensitivity and pride in his creation of the driven actor. This is the heart of the film."
Universal will release the DVD on June 24, 2008. It is available for pre-order at amazon.com.


Also on June 24, Criterion will be releasing something I've been hoping for: The Furies with Barbara Stanwyck and Walter Houston in his very last role. Director Anthony Mann guides this great 1950 western melodrama about a struggle between a controlling father and his tough father. Set in 1870s New Mexico, widowed rancher T. C. Jeffords (Houston) is constantly at odds with his daughter, Vance (Stanwyck) over everything, but especially over who she will marry and what she will inherit. Jeffords is furious about her choice in a suitor- and does what he can to destroy their impending marriage. Vance isn't also too happy about Jefford's decision to remarry- a woman she believes is after the family fortune.
It's a beautifully shot film and earned an Oscar nod for Victor Milner for cinematography. Criterion promises a new digital transfer and great extras, including a 1931 on camera interview
with Walter Houston. It is also available for pre-order from amazon.com.




Barbara Stanwyck loved doing westerns more than anything where she had to dress up frilly and chase after a man. At heart, she's a cowgirl. Or a cowboy - she's one of the toughest, most no-nonsense women in this town, and she stopped playing the old cat-and-mouse game years ago.".

sallie's back

Here is some welcome news- our old pal Sallie is back, blogging away at The Vintage Place. Shelfers will remember that Sallie pulled her blog down earlier this year - but we are glad to say she is back! We've missed her fun blog and look at OTR, pop culture, movies, soundtracks and more. So what are you waiting for? Go visit The Vintage Place and welcome her back. And tell her ol' Uncle Loophole sent ya'.




Tough beans buddy, 'cause that's the way it's gonna be.

dvd review: the val lewton collection

Not too long ago we were fortunate enough to be able to preview Martin Scorsese's new documentary about film maker Val Lewton, The Man in the Shadows. We were also lucky to be able to interview Lewton's son, Val E. Lewton, about his father's life and career. On both occasions I got a glimpse into a very private person who brought a special touch to films, and elevated what began has a plan for cheesy horror films, and turned them into cult classics. This year, Warner Brothers has reissued The Val Lewton Collection Box set and included a copy of the new documentary as well. If you have these films in your collection, then you are familiar with them. If you haven't, now is an excellent opportunity to get the set with the new doc. But is it really worth your hard earned ducats? How well do the films hold up? Is the set worth the valuable space on your DVD shelf? How are you going to answer these nagging questions? By checking out our review of course! So sit back, relax and read our review of The Val Lewton Collection.

The Hard Facts:
The Val Lewton Collection
6 Discs in keepcases
Studio: Warner Brothers
Black and White/ Color (documentaries)
Full Screen/Wide Screen
Original Studio: RKO
Release Date: 1/29/2008
Rated: NR
Stars: Various
Director: Various



Background:
We discussed Lewton's career and background in our review of The Man in the Shadows, which you can read at this link. However he is a section from that article, regarding Lewton's tenure at RKO:
" RKO gave Lewton’s unit (which became known as “The Snake Pit”) two things to work with: a pre-ordained title and a small budget. Although a producer, Lewton’s touch on his films is apparent; it is why he is often talked about in the sense a director would be discussed. He worked on the stories, often devising plots and themes which were at once literary and immediate; belying the cheesy titles given to him by the studio. During his stay at RKO, Lewton produced 11 films, nine of which were considered “horror” films. He worked with several directors who would find even further success and impact on the industry later, including Jacques Tourner (Out of the Past), Mark Robson (The Bridges at Toko-Ri and Peyton Place) and Robert Wise (West Side Story, The Sound of Music and a host of others). Lewton elevated Wise from editor to director on Curse of the Cat People when the previous director was over schedule and over budget....

...Perhaps what is most unique about Lewton’s films is the style in which he told his stories. Hampered by a small budget, he relied on creative lighting ( and shadows) and sound and a company of wonderful stock players and character actors to convey the story. His techniques have inspired other film makers (including Scorsese, Hitchcock, M. Night Shyamalan to name a few). The basic philosophy was to trust the intellect of the audience- that the unseen could be just as chilling as the seen. In many ways, Lewton’s films are almost like a radio suspense show on screen. The ambient sounds, the selective use of music and the shadows all combine to create an effect that allows the audience to feel the tension and fill in the blanks, without having everything splashed across the screen. His son Val E. Lewton agreed with that observation (a fan of radio shows himself) and further noted that his father considered “the imagination a function of the audience. It [his technique] may have had a lot to do with the budget, but it also was his instinct in knowing the audience.”

RKO executives eyed Universal's profits from the Monster pictures with envy. It's somewhat understandable because Orson Wells obsessions had cost them dearly. Although eventually, Citizen Kane would be recognized as one of the greatest pictures of all time, at the time the box office returns were dismal. Bringing on Lewton to head their new horror unit was designed from the outset to be a "B" unit; making films quickly and cheaply that would turn an even quicker profit. To RKO that meant very little time for tinkering, reshoots, story process, etc. Get a story and budget, a cast and shoot it was what they were after.

The Films:
For the review of Val Lewton: The Man in the Shadows, which is included in the set on a separate disc, please read our previous in-depth review here. You can also read many great articles about the man and his films from the recent Val Lewton blogathon at The Evening Class.

Cat People / Curse of the Cat People
For Lewton's first film with RKO, the studio heads handed him a title- Cat People- and a budget and told him to get it in on time. The title would've insulted another director. Lewton saw it as a challenge. He filmed a story of relationships, superstition, psychological fear and sexual desire. Cat People tells the tale of a young Serbian transplant to New York, Irena, who retains the fears and superstitions of her ancestors. The thing she fears the most is that on some night, when aroused by a man, that she will turn into a panther and wreak violent havoc upon her beloved. Despite this she falls in love and marries a architect named Oliver. She eventually betrays her fears to her husband and he recommends she a therapist, Dr. Judd. However, when Irena begins to suspect that her husband's friendship with a co-worker is more than just business, she begins to follow the other woman.
Audiences are never explicitly told or shown that Irena really transforms into the panther, although we do see shadows of a large cat. By the same token, it's not necessary, because Lewton and director Jacuques Tourner create an atmosphere in which you are drawn in and the slightest, smallest noise reverberates in the audience's mind- creating fear and emotion and the notion that maybe, just maybe, you really did see something.

While The Curse of the Cat People includes some of the same characters, the story is very different. This time the film centers on a young girl, Amy, whose imagination and daydreaming not only gets her in trouble at school, but has made it difficult for her to fit in and make friends. This worries her father, Oliver, who has now remarried and moved from New York City to small and quiet Tarrytown, NY. He tries to help her, but has a hard time understanding how to do so. When Amy runs across a hidden picture of Oliver’s first wife, Irena, the apparition of Irena begins to appear to Amy and comfort and befriend her, but warns Amy not to tell anyone of their friendship. Does Amy really see Irena or is it her imagination? While the set up sounds like a standard ghost story, Lewton and Director Robert Wise turn it into a look into the loneliness of childhood and the way fantasy can weave its way into the life of a child to compensate for a lack of companionship and real affection. This film is so much more than its title and premise. It is one of Lewton’s best.

The Seventh Victim
The Seventh Victim is a very dark tale about a young woman, Mary searching for her missing sister, Jacqueline, the owner of popular line of women's products. Her search soon leads her to the discovery of a secret husband, Gregory, and the mysterious involvement of a satanic cult. Gregory knows that Jacqueline is alive and he and poet that Mary befriends named Jason, agree to help find Jacqueline. They discover that she is alive and being hidden by Dr. Judd (yes, that's the doctor from Cat People). Jacqueline was involved with the Satanic Cult, but left upon discovering their true nature. The Cult demands that anyone who speaks of the cult must die, and yet they are sworn to non-violence. They demand that Jacqueline kill herself or die by some other means.
The studio head explicitly told Lewton repeatedly that they did not want "message pictures." After reviewing The Seventh Victim, they approached Lewton about the film, not really understanding it. When asked if there was a message in the film, Lewton replied, "Yes. Death is good." Reflecting, not a sadistic nature (Lewton was the opposite), but yet a mind that thought about life and death and the suffering and unhappiness that sometimes we all endure.

I Walked with a Zombie/ The Body Snatcher:
Although studio heads at RKO were not initially impressed with Cat People, they became impressed with its profits. They quickly gave Lewton another title and another budget, this time one sillier than the first: I Walked with a Zombie. Again, rather than complain loudly, Lewton took on the challenge to take the title and make the film rise above it. He even takes the title head-on by making it the first line of the film, but from that point on it becomes so much more. A nurse, Betty Connell is given a job to care for a mysteriously ill and semi-comatose woman on an island in the Caribbean. Connell soon finds herself at the estate of the wealthy Holland family, who runs the sugar production on the island. Jessica Holland, wife of Tom Holland, is her patient, and it soon becomes clear that Jessica’s condition is much more than what it appears. When the voodoo drums beat through the night, Jessica rises and is called into the sugar cane. Connell is intrigued and frightened, and is determined to get to the bottom of Jessica’s problem. Meanwhile she finds herself torn between her duty and her feelings for Tom. Things become even more complicated when she discovers Tom’s wife was in love with his brother. Again, Lewton takes a potentially ridiculous title, and turns the film into something literary. This time Zombie is based on Charlotte Bronte's Jane Eyre.

The Body Snatcher is a film from later in Lewton’s turn at RKO, and it also is based on a book. This time it’s Robert Louis Stevenson’s The Body Snatcher. It stars the great Boris Karloff as a 19th century grave digger who plunders and eventually hunts down corpses for a medical school’s supply of cadavers. Karloff is brilliant in this film; menacing and dark. The film also features a small role for Bela Lugosi and is the last time the two icons of horror appeared on-screen together.

The Ghost Ship/The Leopord Man
Here again, Lewton takes a seemingly dull request from RKO and turns it into something much better. RKO had a ship built for a previous film, and wanting to get more of it, tasked Lewton with making a sea-going film. The result is the suspenseful The Ghost Ship starring Richard Dix. Dix is Will Stone, the captain of the ship, The Altair, and has just taken on a new crewman, Tom Merriam. At first, things seem to be going well. Merriam is getting on well, and the voyage is going fairly well. And then several members of the crew die under mysterious circumstances. Merriam eventually suspects Stone, and the ship takes on eerie, dark atmosphere- almost choking the air out of the sea. He attempts to prove that Captain Stone is mad and responsible for the murders, but Merriam is discredited and fired. When they dock, Merriam leaves, but is involved in a fight and is knocked unconscious. When he awakes he finds that he has been brought back to The Altair by mistake and is out to sea. Merriam fears his fate.

The Leopard Man is an attempt to build upon the success of Cat People, but the film bears no connection to the first film. The film takes place in New Mexico. Jerry Manning has purchased a Leopard (the same one Lewton used in Cat People) to help promote his girlfriend, Kiki, a nightclub singer. When her competition sees how successful it is, she startles the cat, hoping to ruin the act. However, the Leopard escapes from the club and soon people are found clawed to death. Jerry and Kiki try to hunt the big cat down, but begin to think something more sinister is at work. This film has a famous and haunting scene- a young girl, late on her way home from market, sees the Leopard and runs home for safety but is locked out by her mother. Her mother and brother hear her knocking and scratching at the door, but she refuses to open the door to teach her a lesson. Then the girl screams and the mother realizes something is really wrong. The audiences sees the mother staring in horror at the door, as the girl screams and the door is clawed and then there is silence. The camera pans down to the floor and we see blood oozing under the doorway. You never see the Leopard or the girl in that moment- just the door. It is one of the most chilling sequences in all of his films and you don't really see anything. Again- it demonstrates Lewton's philosophy and method of using shadows and light and sound, and letting the imagination and mind of the audience to do the rest.

Isle of the Dead/Bedlam
One of the more creative and happy combinations in Lewton's films is his work with Boris Karloff. Intially reluctant to work together, the men eventually discovered much to admire in each other, and worked very well together. Isle of the Dead is a departure for Karloff. He plays a Greek general during the First Balkan War in 1912–1913. On a small island, he and the population are quarantined, due to fears of the plague. As you may surmise, bodies begin to turn up, and the populace is convinced that is the work of a woman they believe to be a vorvolaka- a sort of vampire devil.

Bedlam is also different, and Karloff always referred to it as a "historical picture." Set in 1700s London, Karloff plays Master Sims, the head of St. Mary's of Bethlehem Asylum. He is constantly seeking power and place - something only the nobility have. He sees his position, and his benefactor and superior, Lord Mortimer as a means to position and wealth. However, Sims is a sadistic villan who delights in abusing the so-called "loonies": the inmates. When one of Lord Mortimer's proteges, Nell Bowen, begins to suspect Sims true nature, he manipulates her commitment to the asylum and places her in constant peril- trying to drive her mad. Both claustrophobic and atmospheric, Bedlam is a psychological period thriller. It was Karloff's last film with Lewton.

Bonus Features:
Special features include: Audio commentary: Greg Mank with Simone Simon on Cat People and Curse of the Cat People, Kim Newman and Steve Jones on I Walked With a Zombie, Steve Haberman with Robert Wise on The Body Snatcher, Tom Weaver on Bedlam, and Steve Haberman on The Seventh Victim. Also included on the Seventh Victim disc is a full length documentary, Shadows In The Dark: The Val Lewton Legacy. The commentaries are interesting, especially the input of Simone Simon who played Irena and director Robert Wise. Shadows in the Dark is a well done documentary, with some great interviews with past collaborators and family members. Martin Scorsese's documentary goes deeper into Lewton's work and the films themselves- so having both is a welcome thing. In fact, if you already own this collection, the Scorsese film is also available separately. It is worth adding to the set.

Audio/Video:
The audio and video are nothing short of great. While a few of the prints bear some brief instances of scratching, it is nothing substantial. Great care was taken to restore the sound, an important element of the films.

The Bottom Line:
The Val Lewton Collection is a wonderful set of films that anyone should add to their DVD library. Not only are the films great classic horror films, it should be evident how influencial they were on the work of others and how much they added to the history of film. In many ways, Lewton preceded the increasing film noir genre, adding many elements that would be more consistantly in that genre of film making. The films aren't typical horror films, in the way we think of them today. Think of them more like Hitchcock films that provide a bridge between the german expressionists and noir films of the late 1940s and 1950s. (Hitch and Lewton were contemporaries and had a mutual respect for each other). The documentaries also demonstrate how Lewton tapped into the fear and tension that the American public was feeling during World War II, and how he used his films to somewhat demonstrate that fear: the fear of the unknown and of what man can do to his fellow man.

Review Rating:
Individually grading the films and bonus features, the sets would earn the following:
Cat People / Curse of the Cat People: A+/A+
The Seventh Victim: B+
I Walked with a Zombie/ The Body Snatcher: A+/A
The Ghost Ship/The Leopord Man: B/B
Isle of the Dead/Bedlam: B/B
Shadows In The Dark: The Val Lewton Legacy: B
Val Lewton: The Man in the Shadows: A
Remaing Bonus Features: C


Overall Rating:

The Shelf rates The Val Lewton Collection:
4 and 1/2 stars (Groucho Glasses)







Stay tuned for a review of The Warner Brothers Gangster Collection Vol. 3- and of The Season 4 set of Walker: Texas Ranger in our new TV on DVD review series- all coming up soon!




Everything good dies here. Even the stars.

richard widmark dead at 93

Veteran actor Richard Widmark has passed away at the age of 93, according to news sources. The tough guy image he carried with him saw him through countless westerns, crime and film noir films. His debut film was partly responsible for this initial image- it was a breakout role as a sadistic hit man in the film noir classic, Kiss of Death. He was an instant hit, and was nominated for an Oscar. He laughed as he killed his victim, sending chills up the spine. He later said of the role; "That damned laugh of mine! For two years after that picture, you couldn't get me to smile. I played the part the way I did because the script struck me as funny and the part I played made me laugh. The guy was such a ridiculous beast."

My favorite Widmark films are Broken Lance with Spencer Tracy and the great Sam Fuller flick, Pickup on South Street. Pickup also featured a fantastic perfomance from actress Thelma Ritter. Widmark also starred in John Wayne's The Alamo, although the two didn't always get along during filming. You can read some very nice tributes to Widmark at Laura's Miscellaneous Musings and at Libertas.




Sometimes you look for oil, you hit a gusher.

easter fun

We've been a bit MIA lately- that's what Jury Duty, new responsibilities at work and grading final papers will do for you. We beg your forgiveness and ask you to stay tuned for reviews next week and lots of other fun stuff. In the meantime, it's Easter- are you ready?

I love this time of year. It's a season of renewal and spiritual rebirth. There are certain films that I love to watch to celebrate the season: Ben-Hur, The Ten Commandments, The Easter Bunny is Coming to Town, It's the Easter Beagle, Charlie Brown....And while all these are great and absolutely wonderful, nothing quite fills me with the simple "joie de vive" that Easter Parade does. Fred Astaire is almost superhumanly talented and is paired with the equally amazingly talented Judy Garland and wonderful Ann Miller! The music is great and while it seems to have little to do with Easter- the colors, the music and the story of a second chance of getting it right seems to get me in the Joy of Easter mood. So in celebration of Easter- here are some great clips from Easter Parade:

First up: Drum Crazy- simply awesome:



And now: A Couple of Swells



Happy Easter to you and yours.



Why didn't you tell me I was in love with you?

new contest in television land

Alright ladies and gents- we've had a winner in our latest contest and we've had a winner of our Animal Planet SuperPack Contest. Congrats to Daniel, our SuperPack winner!



Now we have a new contest with a new set of DVDs from Paramount and CBS DVD! The prize? A double dip! Each winner will received a copy of The Fugitive Season One, Volume Two and The Love Boat Season One, Volume One. Lucky winners will be drawn at random from emails to our inbox. SO GET THOSE EMAILS IN! All you have to do send an email to randomshelf@hotmail.com (note the rules below) with a subject line of Fugitive/Love Boat Giveaway in the subject line.

The rules are simple:

Email us your entry at randomshelf@hotmail.com
1.You MUST include: Your name and full address in the body of the email, and "Fugitive/Love Boat Giveaway" must be in the subject line.
2. The contest is only open to US residents
3. Only one entry per email address (and household, please!)
4. Contest ends on Friday, March 28th at 11:59pm. We will draw the winner and notify them by email sometime on March 29th.

Please note that your information will be held confidential and will not be published and only used solely for identifying the winner and shipping the prize. Also, we will mail the prize to you, but cannot guarantee that the post office will treat it with the same respect as we will when we send it out. We will only guarantee that we will mail it to the address you provide to us.
So get those emails in and good luck!

Let the contest begin!



I thought we were gonna get television. The truth is... television is gonna get us.

happy 85th warner brothers!

This year marks 85 years of movie making for Warner Brothers Studios. They've come a long way from small beginnings with 4 brothers to the special effects blockbusters of today. They were one of several innovators and investors in sound technology, helping to push Hollywood towards sound features. Recently, WB announced they were going strictly Blu-Ray, turning another page in the ongoing changes in technology in entertainment. While the future may hold something different for us in how we watch movies, I'm fairly certain they will include great films and animation made by the many stars, animators, directors and producers of Warner Brothers.
To celebrate Warner Brothers has announced their plans for 2008, which include some re-releases and new to DVD titles and box sets. Each quarter is themed in a way, and will see the release of certain titles. Here is how the quarters will break down:

Q1 - Oscars and Warner Gangsters
Special Editions, Ultimate Collector's Editions:
Bonnie and Clyde UCE, Special Edition
GoodFellas: Special Edition
Heat: Special Edition*
Once Upon a Time in America: Special Edition
True Romance: Special Edition
Re-released box sets:
Film Noir Classics Collection: Volume 1
Film Noir Classics Collection: Volume 2
Film Noir Classics Collection: Volume 3
Film Noir Classics Collection: Volume 4
Warner Bros. Gangsters Collection Vol.1
Warner Bros. Gangsters Collection Vol.2 (formerly tough guys)
New sets:
Bette Davis Collection Vol.3
Joan Crawford Vol. 2
Warner Brothers Gangster Collection Vol. 3

Q-2 Sinatra and Dirty Harry
Special Editions, Ultimate Collector's Editions
All of the Dirty Harry films in an Ultimate Collector’s Edition set
Dirty Harry 2-Disc Special Edition (1971)
Magnum Force Deluxe Edition (1973)
The Enforcer Deluxe Edition (1976)
Sudden Impact Deluxe Edition (1983)
Dead Pool Deluxe Edition (1988)
also a bonus Disc: Clint Eastwood: Out of the Shadows
Rat Pack Ultimate Collector’s Edition
(Ocean’s Eleven, 4 for Texas, Robin and the 7 Hoods and Sergeants 3 with with an exclusive music CD and rare collectibles)
Repackaged or Re-released sets:
Frank Sinatra & Gene Kelly Collection:
(Take Me Out to the Ball Game, On the Town and
Anchor’s Aweigh)
New Sets
2 Frank Sinatra Box Sets:
Frank Sinatra:The Golden Years & The Early Years
(Containing the films: The Man with Golden Arm, None But the Brave
Some Came Running, The Tender Trap, Marriage on the Rocks
Double Dynamite, Step Lively, It Happened In Brooklyn and
The Kissing Bandit)

Q3 – Superheroes, Musicals, Westerns
Special Editions, Ultimate Collector's Editions:
Batman Begins Limited Edition Gift Set
Batman Anthology BD
How The West Was Won UCE, Special Edition
An American in Paris SE
Gigi SE
New Box sets:
Errol Flynn Westerns
Western Classics Collection
Classic Musicals From The Dream Factory Volume 3
(Including: Hit The Deck, Kismet,Deep in My Heart, Broadway Melody of 1936, Broadway Melody of 1938, Born to Dance, Lady Be Good, Nancy Goes To Rio and Two Weeks With Love)

Q4 - Horror/Sci-Fi and Holiday
Special Editions, Ultimate Collector's Editions:
A Christmas Story Ultimate Collector’s Edition
New Box sets:
Classic Horror collection with Boris Karloff and Peter Lorre
A New Warner Bros Holiday Collection

Warners also announced that there will be 50 new to DVD titles to come out this year including: All This And Heaven, Too, The Beast With Five Fingers, Black Legion, Brother Orchid, Deception, Flamingo Road, Gold Diggers Of 1937, Inside Daisy Clover, Kid Galahad, Lady Killer, The Mayor Of Hell, Night Nurse, None But The Brave, Pete Kelly’s Blues, San Antonio, Thank Your Lucky Stars, Three On A Match, Virginia City and Watch On The Rhine.

There will also be additional titles released from other film catalogs that Warners owns such as films from RKO and MGM.

To top it all off, Warner, in partnership with the American Masters series on PBS is presenting a new six hour documentary about the 85 years of Warners entitiled: You Must Remember This: The Warner Bros. Story produced, written and directed by Richard Schickel and narrated by Clint Eastwood. You Must Remember This will first be presented on American Masters in September, 2008. The documentary will be released on DVD in September 2008 alongside a 550-page full-color companion book written by Schickel and George Perry, with an introduction by Eastwood.

Although this press release comes from Warner Brothers, and I've confirmed the contents of some of the sets with them, that doesn't necessarily mean that there can't be surprises along the way. As always, we'll keep you informed. So plan accordingly and stay tuned!



Thank God for film. It can capture a performance and hold it right there forever. And if anyone says to you, "Who was he?" or, "Who was she?" or, "What made them so good?" I think a piece of film answers that question better than any words I know of.

pre-code hollywood on tcm

As we say goodbye to 31 Days of Oscar tonight, we move on to a night of pre-code Hollywood films and a brand new documentary on Turner Classic Movies Monday, March 3rd. Just in time for Tuesday's release of Forbidden Hollywood Vol. 2. We'll have a review here at The Shelf of course. But in the meantime check it out (all times are eastern):

7:00 PM The Divorcee (1930)
The double standard destroys a liberal couple's marriage. Stars: Norma Shearer, Chester Morris and Robert Montgomery. Directed by: Robert Z. Leonard.

8:30 PM Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
This documentary looks at how the social, financial and moral forces all helped shape one of the most intriguing periods in Hollywood history.

9:45 PM Night Nurse (1931)
A nurse discovers that the children she's caring for are murder targets. Stars: Barbara Stanwyck, Ben Lyon and Clark Gable. Directed by: William A. Wellman.

11:00 PM Three on a Match (1932)
A woman's childhood friends try to rescue her from gangsters. Stars: Joan Blondell, Bette Davis and Ann Dvorak. Directed by: Mervyn LeRoy.

12:15 AM Female (1933)
A female CEO who's used to buying love meets her match in an independent young executive. Stars: Ruth Chatterton, George Brent and Johnny Mack Brown. Directed by: Michael Curtiz.

1:30 AM Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
Encore Presentation

2:45 AM A Free Soul (1931)
A hard-drinking lawyer's daughter falls for one of his underworld clients. Stars: Lionel Barrymore, Norma Shearer, Clark Gable. Directed by: Clarence Brown.

Lots of interesting films that haven't been seen in years. In 2006, we reviewed Forbidden Hollywood Vol. 1 (here) and we made this comment:
I think the DVD set could have really benefited from a documentary on Pre-Code Hollywood, but since this is Volume One, perhaps that will be forthcoming in a later Volume. There are a lot more Pre-Code films out there, so one can hope.

Thou Shalt Not is that documentary and it will be included in Volume 2, along with the films: The Divorcee, A Free Soul, Night Nurse, Three on a Match, and Female. So check out tomorrow's TCM lineup and then order yourself a copy of Forbidden Hollywood Vol. 2. And be sure to check back with us for a full review.

There's only one guy in the world that can do a nurse any good and that's a patient with dough! Just catch one of them with a high fever and a low pulse and make him think you saved his life and you'll be getting somewhere.

shelf interview: robert osborne

The 80th Academy Awards are over, and doubtlessly many are arguing over the presentations, merits (or lack thereof) of the nominees, etc. Let's take a brake from all of that and turn back to Turner Classic Movies and 31 Days of Oscar. Or more specifically that host of hosts, Robert Osborne. Robert Osborne has been the host of Turner Classic Movies since it first hit the air. He is a film historian, journalist, the official historian of the Academy Awards and author, most notably of the indispensible 75 Years of the Oscar: The Official History of the Academy Awards. He is not only extremely knowledgeable about film history, but he's interviewed many stars and downright legends. In addition to all of that he is a gentleman and a very nice guy. And at the end of the day - a classic film fan like the rest of us. Recently, before the Academy Awards show, I had the opportunity to talk with Mr. Osborne about TCM, the Oscars, interviewing the stars and classic films.

JC: Mr. Osborne…

RO: Hey, J.C.! How are you?

JC: I’m doing great, how are you?

RO: Good. Thank you for all of the nice things you write about TCM.

JC: Well, I guess I am a TCM fanatic.


RO: Well we like that! That’s not a bad thing to be!

JC: You’ll have to forgive me if I am little nervous, because I’m not quite as experienced as you in conducting interviews.

RO: Don’t be nervous. I’m your friend; I come into your house every night.

JC: Yes, you do!

RO: So don’t be nervous!

JC: OK, well I just have a couple quick questions. I know your time is valuable, and you have others to talk to, but I want to ask you kind of a couple of things about the Oscars. Kind of in line with 31 Days of Oscars and also just some things about classic films in general. The Oscars, of course, are coming up soon…

RO: Right…

JC: You’ll be there of course.

RO: Right…

JC: It is the benchmark awards show, but it also has had its share of criticism and odd years and things like that. Why have the Oscars endured for so long?

RO: Well, I think they’ve endured because they really do represent the best in Hollywood. We’re all kind of movie fans and movie buffs. So it’s kind of the pick of the litter. It’s also usually involved with people that we’re familiar with; at one time it was Clark Gable and Spencer Tracy and Better Davis, and now it’s George Clooney and Julie Christie and new people. But through the ages, you know, it’s always been filled with glamorous people and it takes us, the Oscar show itself, takes us to a world that most people don’t, you know, aren’t inhabiting all times. So I think all of that together is… and it’s also synonymous with being the benchmark and being the best at whatever you do, so I think that’s why it’s endured. I also think it’s endured because there’s never been a scandal connected to it. Which is amazing- because something that involved with attracting money and if a picture wins an Oscar it can make a lot more money- that there’s not been ever a scandal connected to it, the Oscars. And they work very hard to protect that. That’s very important. So I think there are many, many reasons, but I think the main reason it has fascinated people for so long is- and our 31 Days of Oscar schedule would be a sample of that, because it’s representing great films, that endure, and films that, even if you’ve sent them once or twice, or fifteen times, you still want to see them again.

JC: There are a lot of them, that you see pop up on television, and you’ve just got to stop what you’re doing and finish watching it.

RO: Right. There are certain movies like- and I get really angry with myself- Casablanca. It will be on TCM and I’ll think, ‘Well, I’ve seen this…you know, much too much,” (laughs) and you watch one scene and you’re still there two hours later.

JC: Because you’re drawn into that world.

RO: Yes. They almost…, some of these great movies that we have, and we so many of them in this month of February, is that they almost refuse to let you leave once you get in. They’re like page turners on a book. One scene just takes you to the other. I’m forever saying, “Oh, well, I’m just going to wait until that scene where they do this or that scene where Ingrid Bergman does that”, but you’re still there at the end of the movie. It’s one of those things that’s so great about good film making.

JC: One of my favorite shows on TCM is Private Screenings.

RO: Oh, thank you.

JC: It’s fascinating to me how at ease everybody seems to be with you when you talk to them. Do you have a chance to talk them before the actual interview?

RO: Well some of them I have known before. I think that part of that comes with them watching TCM and realizing that I’m not going to go out and try and trap them and that I’m not interested in their personal life, except maybe in how it affected their screen choices and things. I have to tell you, TCM is a very friendly place and people come down there and the whole crew and everybody makes them feel comfortable and at home. And I think that ease makes people at ease then when they are sitting talking to me. And also, what we usually do is when we have somebody like an Angela Landsbury or Jane Fonda or Jane Powell or whoever, you know we kind of sit and chat for a couple or three hours, and that’s cut down to an hour. So it’s not as though it’s like there is a “freneticness” to it all. They can relax and talk and they get the feeling that they are talking with somebody that not only knows their background but likes them and is interesting in them. I think one of the problems that a lot of celebrities understandably have today in the newsmedia is that they’re out for news scoops or scandal or something…

JC: The “gotcha” element…

RO: Yeah, the gotcha thing. And we don’t have that and I think that helps them relax.

JC: Is there somebody that you have interviewed that you had an idea of who they were and didn’t know them that well, but when you interviewed them they surprised you, in a good way or bad way?

RO: Well, yeah. Robert Mitchum I had known on and off for a long time, and I had been to film festivals with him and sat and talked with him and sometimes tried to get away from him only because he was a heavy drinker and he liked to sit at the bar for hours. He was fascinating and told great stories. You know, he was much brighter than we ever give him credit for. He would write poetry and all that sort of stuff. He would tell fascinating stories, but after a while, when you have to get up and work the next day or do something, you don’t want to be sitting at a bar at two AM for the third night in a row. And so, I’d known him on and off for a long time, and he came to do the interview. He was very witty and all of that, until the camera was on, and then he absolutely stonewalled me the whole time the camera was on.

JC: I remember seeing that…

RO: He’d do yes and no answers and everything. And then we’d break for lunch and he’d be like a Chatty Cathy doll again. He was just being cantankerous and ornery. (both laughing) You know, I could’ve killed him, I could’ve killed him. The only other thing he would do, he would raise his hand, because he had emphysema so terribly he had a nurse with him and the oxygen tank. He would raise his hand, and we thought he had to go to the bathroom. He’d go out and have a cigarette. He’d be sitting out there with a nurse and an oxygen tank attached to him having a cigarette. And you just wanted to say, “Are you crazy?” Well, he obviously was a really great guy and certainly one of my favorite actors.

JC: One of my favorite interviews was the Private Screenings you did with Mickey Rooney, that was also included on the recent Mickey and Judy DVD Collection. He just seemed so much fun.

RO: Yeah, he was crazy, you know, too and he’s one of the most talented people in the world.

JC: Is there someone out there; actor, actress, director, that you haven’t interviewed that you would love to?

RO: I’d love to do one with Olivia de Havilland. She unfortunately lives in Paris, so that’s not too easily arranged. I’d like to do Michael Caine. I’d love to do Gena Rowlands. There are several. What we don’t ever try to do though, is just collect people just to be collecting them. They’re expensive to do and they’re fun to do, but we also want to have an exclusive club of people. So we’re very selective about who we invest the time in to do that. There are certainly people with great careers that would be interesting to talk to, but we really try to hold it down to a minimum and get people that are really valid, where somebody like you, is really interested in watching, because you’ve not been disappointed in it.

JC: It’s a wonderful show…

RO: Thank you.

JC: When I got interested in classic films, when I was very little, my dad exposed me to quite a few, and radio shows as well. And now I’m in my 30s and I still surprise people with my interest (they think I’m too young to know the films) and the writing that I do about classic films. From my perspective I see more and more people my age and younger getting interested and passionate, and running websites about them. I’m introducing my kids to them…

RO: Great! That’s music to my ears.

JC: They are big Abbott and Costello and Three Stooges fans right now, much to my wife’s chagrin…

RO: (Laughs) Well that’s great. How do you like our 31 Days of Oscar schedule this year?

JC: I love it, with the “Decades.”

RO: Good…

JC: Last year with the schedule divided up into categories [Oscar nomination categories] and was great to see the different kind of films that were nominated. And I think in a way, like you mentioned earlier, this is a good way for people to get more familiar with, not just the Oscars, but with some films that they didn’t know were ever nominated.

RO: Right. Well, you know it’s also interesting, because if you have a history with the film too. We change, so therefore those films change for us. A movie that maybe we saw as a kid and didn’t like, you can see know and really appreciate. By the same token, a film that you liked as a kid or when you are in high school or just out of high school, that you thought was terrific, you look at it now and you say, well that’s not really so great. But it also gives us a chance to see films, not in our 31 Days of Oscar so much because those are all pretty much great films or they wouldn’t have been in that echelon, but just Turner Classic Movies in general. You’ll see a film, that may not be a terrifically great film, but it comes at a certain time in an actor’s life, and actor you particularly like, and it’s interesting to see how their careers were all built. And I love that about our channel too.

JC: Is there a place, for someone who is just starting to get interested- I’m talking in the line of films- for somebody is just getting interested in classic film, what’s a good starting point for them?

RO: Well, I really think that’s the whole concept of our franchise, “The Essentials.” It’s kind of like, if you really want a background in film, these are some of the ones that are essential to see. That’s once a week on Saturday nights, and it goes all year long. This year, Carrie Fisher has been co-hosting with me and next year it’s Rose McGowan. And I think that’s the best place to start to see these films. We try to explain why it’s essential and why this is an important film, and I think that would be a good place for anybody to start.

JC: Is there a director or actor or actress that you think their body of work is underrated and they are due for rediscovery?

RO: Well, I think Howard Hawks doesn’t get as much attention as he deserves. He was a great director in so many, every different category. And also a wonderful director, Clarence Brown, that almost nobody talks about, that did The Yearling, National Velvet and a lot of the Garbo films. He was one of those great directors that nobody really talks about, but of course in those days nobody really talked about anybody but the stars. Unless you were a Hitchcock or a Cecil B. DeMille and had your own publicist, people didn’t know who you were all that much. Clarence Brown is still forgotten and more attention should be paid.

JC: And what was your favorite classic film DVD release from last year?

RO: From last year? That- I would have to think about, there were so many. I can’t think of just one off the top of my mind just now. That’s a good question, I’ll have to give that some thought.

JC: OK (laughs) Well, thank you Mr. Osborne for chatting with me today.

RO: Thanks, it was nice talking to you!

JC: I appreciate it. It was wonderful talking to you.

RO: And thanks for your enthusiasm! Goodbye.




Thanks very much to Robert Osborne for taking the time to talk with me and thanks to Turner Classic Movies and Sarah Schmitz at TCM for setting up the interview.




You know, Rick, I have many a friend in Casablanca, but somehow, just because you despise me, you are the only one I trust.

super deluxe contest!

Our Monkey's TaleGiveaway is over! Congrats to all of our winners! A copy of A Monkey's Tale is headed to our winners courtesy of Genius Entertainment and Animal Planet. That means we have a new giveaway starting now!


It's been Animal Planet month here at the Shelf, and we're winding up with two super contests starting tonight! We are giving away three copies (one per household)of Gorillas on the Brink thanks again to Genius Entertainment and Animal Planet.

Also one person will win a Animal Planet Super pack featuring 5 different Animal Planet DVDs from our past giveaways. So that's lots of prizes to giveaway so hurry up and send in those emails!

The rules are simple:

Email us your entry at randomshelf@hotmail.com
1.You MUST include: Your name and full address in the body of the email, and "Animal Planet Giveaway" must be in the subject line.
2. The contest is only open to US residents
3. Only one entry per email address (and household, please!)
4. Contest ends on Friday, March 6th at 11:59pm. We will draw the winner and notify them by email sometime on March 7th.

Please note that your information will be held confidential and will not be published and only used solely for identifying the winner and shipping the prize. Also, we will mail the prize to you, but cannot guarantee that the post office will treat it with the same respect as we will when we send it out. We will only guarantee that we will mail it to the address you provide to us.
So get those emails in and good luck!

Let the contest begin!



I thought we were gonna get television. The truth is... television is gonna get us.